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Guglielmo Ebreo da Pesaro (c. 1420 – c. 1484) was a Jewish Italian dancer and dancing master at some of the most influential courts in Renaissance Italy, including Naples, Urbino, Milan, and Ferrara. His byname ''Ebreo'' means simply ‘Hebrew.’ Not always used when referring to him, ''da Pesaro'' indicates that he was from the east-central town of Pesaro. Between October 1463 and May 1465, Guglielmo probably converted from Judaism to Roman Catholicism and took the name Giovanni Ambrosio. He studied with Domenico da Piacenza (sometimes known as Domenico da Ferrara) in the 1440s, and is mentioned in Domenico's ''Liber ballorum'' (1460). Around 1463, Guglielmo authored the treatise ''De pratica seu arte tripudii'' (''On the Practice or Art of Dancing''),〔 sometimes cited as ''Trattato dell' arte del ballare'' (''Treatise on the Art of Dancing''). In it, Guglielmo defends dancing as a noble art, emphasizing the important role of music. He also describes qualities necessary for dancers, including posture, musicality, style, and memory, and provides first-hand accounts of massive court celebrations in which he played a role. The treatise contains choreographies and music for thirty-six dances by Guglielmo and his contemporaries. ==Conversion to Roman Catholicism== His patron and friend Alessandro Sforza (Lord of Pesaro and brother of Francesco Sforza) convinced convert Guglielmo to Roman Catholicism. Alessandro Sforza was a very religious man, but perhaps also influenced Guglielmo ability to access the dignity of Knight (as happened, getting the Golden Spur, as his teacher Domenico da Piacenza). Between 1463 and 1465 he was baptized and took the name of Giovanni Ambrogio. In honor of Alessandro Sforza's daughter, Ginevra, Guglielmo composed a ''bassadanza in due''. In 1465 he moved to Milan, where he was in charge of the celebrations for the wedding of Eleonora d'Aragona with the Duke of Bari. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Guglielmo Ebreo da Pesaro」の詳細全文を読む スポンサード リンク
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